Posted: Tue Oct 11, 2005 8:29 pm
Yes, that's roughly the idea.
And it doesn't beat the point of disonances at all... it just washes them up. You, with midi tracks and all, can do a much finer job and wash them up just the right amount.
And there's a lot of art in those filters. Most of them (most notably the Harmonischer and "Compander Instrumental") are pure heuristics. I can't really separate the instruments, they're mixed up - but I can "psychoacoustically" separate them - make you think I've separated them. That's what I do, with a 20-liner. It's a well crafted 20-liner, though. The secret (not much of a secret) is to listen to the results, and if they're not convincing, tweak the algorithm. I have a natural talent for heuristics, not so much for deterministic processes. Perhaps that's my artist side showing.
Anyway, if you want the code (if you know C++) I can send it over. It's not secret or anything.
Edit: Oh... what do I do in RL?
First, I'm a CS major. I've been a CS major since I was 7 years old... with my Commodore 128 (Oh... the nostalgia).
Then, I work as programmer in a small company over here, that handles tax collection. I started out providing the security systems: a custom VPN and PKI implementation, since they couldn't import it - too much crap out there to rely on third parties. Since they trusted me (I know the president of the company), once they asked me to work on that and so I did. Now, in that regard, my specialty is cryptography. I've studied a lot of cryptography in the years I've worked for this company. My work basically is supervising those systems, which is most of the time slow-paced since I only intervene when something goes wrong. Some other times, I help the php devs out a little who are working on the main app (the one that needs the cryptography).
Finally, I have a small recording studio. It started out as a hobby, but soon I got some jobs and, well, here I am. Not much of equipment: a couple of good AKG mikes (2x C414, 2xC1000), a 4-track ADC and lots of software. I do my magic with software, mostly, since I lack the hardware. I've studied signal processing on my own just for kicks, since I enjoy it. I perform best not recording (although my limited music knowledge helps me do some serious recording), but restoring old recordings. That's where Orfeo comes from: those filters are mostly aimed at restoration - lots of noise reduction algorithms, to choose the best, decompression, fine-grain equalization (decoloring), etc...
So... that's me.
And it doesn't beat the point of disonances at all... it just washes them up. You, with midi tracks and all, can do a much finer job and wash them up just the right amount.
And there's a lot of art in those filters. Most of them (most notably the Harmonischer and "Compander Instrumental") are pure heuristics. I can't really separate the instruments, they're mixed up - but I can "psychoacoustically" separate them - make you think I've separated them. That's what I do, with a 20-liner. It's a well crafted 20-liner, though. The secret (not much of a secret) is to listen to the results, and if they're not convincing, tweak the algorithm. I have a natural talent for heuristics, not so much for deterministic processes. Perhaps that's my artist side showing.
Anyway, if you want the code (if you know C++) I can send it over. It's not secret or anything.
Edit: Oh... what do I do in RL?
First, I'm a CS major. I've been a CS major since I was 7 years old... with my Commodore 128 (Oh... the nostalgia).
Then, I work as programmer in a small company over here, that handles tax collection. I started out providing the security systems: a custom VPN and PKI implementation, since they couldn't import it - too much crap out there to rely on third parties. Since they trusted me (I know the president of the company), once they asked me to work on that and so I did. Now, in that regard, my specialty is cryptography. I've studied a lot of cryptography in the years I've worked for this company. My work basically is supervising those systems, which is most of the time slow-paced since I only intervene when something goes wrong. Some other times, I help the php devs out a little who are working on the main app (the one that needs the cryptography).
Finally, I have a small recording studio. It started out as a hobby, but soon I got some jobs and, well, here I am. Not much of equipment: a couple of good AKG mikes (2x C414, 2xC1000), a 4-track ADC and lots of software. I do my magic with software, mostly, since I lack the hardware. I've studied signal processing on my own just for kicks, since I enjoy it. I perform best not recording (although my limited music knowledge helps me do some serious recording), but restoring old recordings. That's where Orfeo comes from: those filters are mostly aimed at restoration - lots of noise reduction algorithms, to choose the best, decompression, fine-grain equalization (decoloring), etc...
So... that's me.